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Michel Legrand Never Say Never Again

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1983 James Bond picture directed by Irvin Kershner

Never Say Never Again
A poster at the top of which are the words "SEAN CONNERY as JAMES BOND in". Below this is a head and shoulders image of man in a dinner suit. Inset either side of him, are smaller scale depictions of two women, one blonde and one brunette. Underneath the picture are the words "NEVER SAY NEVER AGAIN"

British movie house poster by Renato Casaro
Directed past Irvin Kershner
Screenplay by Lorenzo Semple Jr.
Story by
  • Kevin McClory
  • Jack Whittingham
  • Ian Fleming
Based on Thunderball
by Ian Fleming
Produced by Jack Schwartzman
Starring
  • Sean Connery
  • Klaus Maria Brandauer
  • Max von Sydow
  • Barbara Carrera
  • Kim Basinger
  • Bernie Casey
  • Alec McCowen
  • Edward Play a joke on
Cinematography Douglas Slocombe
Edited past Ian Crafford
Music by Michel Legrand

Production
visitor

Taliafilm
Distributed by
  • Warner Bros. (U.South.)
  • Columbia-EMI-Warner Distributors (U.K.)[1]

Release dates
  • 7 October 1983 (1983-10-07) (U.S.)
  • fifteen December 1983 (1983-12-xv) (U.K.)

Running time

 134 minutes
Countries
  • Great britain
  • Usa
Language English language
Budget $36 million
Box office $160 million[ii]

Never Say Never Again is a 1983 spy film directed by Irvin Kershner. The flick is based on the 1961 James Bail novel Thunderball by Ian Fleming, which in turn was based on an original story past Kevin McClory, Jack Whittingham, and Fleming. The novel had been previously adapted in a 1965 picture of the same proper noun. Never Say Never Again was not produced by Eon Productions, only by Jack Schwartzman'due south Taliafilm. The film was executive produced past Kevin McClory, one of the original writers of the Thunderball storyline. McClory retained the filming rights of the novel following a long legal battle dating from the 1960s.

Sean Connery played the part of Bail for the seventh and final fourth dimension, marker his return to the character 12 years after Diamonds Are Forever. The film'southward title is a reference to Connery's reported declaration in 1971 that he would "never" play that role again. As Connery was 52 at the fourth dimension of filming, although about three years younger than incumbent Bond Roger Moore, the storyline features an crumbling Bond who is brought back into activeness to investigate the theft of two nuclear weapons by SPECTRE. Filming locations included French republic, Spain, the Bahamas and Elstree Studios in the United Kingdom.

Never Say Never Again was released by Warner Bros. on seven October 1983, and opened to positive reviews, with the acting of Connery and Klaus Maria Brandauer singled out for praise as more emotionally resonant than the typical Bond films of the twenty-four hours. The film was a commercial success, grossing $160 million at the box office, although less overall than the Eon-produced Octopussy, released earlier the same year.

Plot [edit]

After MI6 agent James Bond, 007, fails a routine training exercise, his superior, M, orders Bond to a wellness clinic outside London to go dorsum into shape. While there, Bond witnesses a mysterious nurse named Fatima Chroma giving a sadomasochistic beating to a patient in a nearby room. The man's confront is bandaged and after Blush finishes her beating, Bond sees the patient using a auto which scans his middle. Bond is seen by Blush, who sends an assassin, Lippe, to kill him in the clinic gym, only Bond manages to impale Lippe.

Blush and her accuse, a heroin-addicted United States Air Strength pilot named Jack Petachi, are operatives of SPECTRE, a criminal organisation run by Ernst Stavro Blofeld. Petachi has undergone an functioning on his right eye to make it match the retinal pattern of the United states of america President, which he uses to circumvent iris recognition security at RAF Station Swadley, an American military machine base in England. While doing and then, he replaces the dummy warheads of 2 AGM-86B cruise missiles with live nuclear warheads; SPECTRE and so steals the warheads, intending to extort billions of dollars from NATO governments. Chroma murders Petachi by causing his motorcar to crash and explode, covering SPECTRE's tracks.

Foreign Secretary Lord Ambrose orders a reluctant Yard to reactivate the double-0 section, and Bond is tasked with tracking down the missing weapons. Bail follows a pb to the Bahama islands where he meets Domino Petachi, the pilot's sister, and her wealthy lover Maximillian Largo, who is SPECTRE's height amanuensis.

Bond is informed by Nigel Pocket-sized-Fawcett of the British High Committee that Largo's yacht is now heading for Nice, France. There, Bond joins forces with his French contact Nicole, and his CIA counterpart and friend, Felix Leiter. Bond goes to a health and dazzler centre where he poses as an employee and, while giving Domino a massage, is informed by her that Largo is hosting an outcome at a casino that evening. At the charity upshot, Largo and Bail play a 3-D video game called Domination; the losing player of each turn receives a series of electric shocks of increasing intensity in proportion to the corporeality wagered. Later losing a few games, Bond ultimately wins, and while dancing with Domino, he informs her that her brother had been killed on Largo's orders. Bail returns to his villa to observe Nicole killed by Chroma. After a vehicle chase on his Q-branch motorcycle, Bond finds himself in an deadfall and is eventually captured by Blush. She admits that she is impressed with him, and forces Bond to declare in writing that she is his "Number One" sexual partner. Bail distracts her with promises, then uses his Q-branch-issue fountain pen gun to impale Chroma with an explosive dart.

Bond and Leiter endeavour to board Largo'southward motor yacht, the Flying Saucer, in search of the missing nuclear warheads. Bond finds Domino. He attempts to brand Largo jealous by kissing Domino in front of a ii-fashion mirror. Largo becomes enraged, traps Bail and takes him and Domino to Palmyra, Largo'southward base of operations of operations in Northward Africa. Largo coldly punishes Domino for her betrayal by selling her to some passing Arabs. Bond subsequently escapes from his prison and rescues her.

Domino and Bail reunite with Leiter on a U.South. Navy submarine. After the first warhead is found and defused in Washington, D.C., they runway Largo to a location known as the Tears of Allah, beneath a desert oasis on the Ethiopian coast. Bond and Leiter infiltrate the underground facility and a gun battle erupts between Leiter's team and Largo'south men in the temple. In the confusion, Largo makes a getaway with the second warhead. Bail catches and fights Largo underwater. Just as Largo tries to utilize a spear gun to shoot Bond, he is shot with a spear gun by Domino, taking revenge for her blood brother's death. Bond so defuses the nuclear bomb underwater, saving the globe. Bond retires from duty and returns to the Bahamas with Domino, vowing never over again to be a secret agent.

Cast [edit]

  • Sean Connery as James Bail, MI6 agent 007.
  • Klaus Maria Brandauer equally Maximillian Largo, a billionaire businessman and SPECTRE Number 1, SPECTRE'due south senior-most agent. He is based on the graphic symbol Emilio Largo in Thunderball
  • Max von Sydow as Ernst Stavro Blofeld, the caput of SPECTRE.
  • Barbara Carrera as Fatima Blush; SPECTRE Number 12, assigned to hunt downwardly and kill Bond. She is based on Fiona Volpe in Thunderball.
  • Kim Basinger as Domino Petachi, sister of Jack Petachi and girlfriend/mistress of Maximillian Largo. The surname was inverse to Petrescu for the Italian release of the film.
  • Bernie Casey as Felix Leiter, Bail's CIA contact and friend.
  • Alec McCowen as "Q" Algy (Algernon), Double-0 section Quartermaster who issues specialised equipment to Bond.
  • Edward Pull a fast one on as "Thousand", Bond'due south superior at MI6.
  • Pamela Salem as Miss Moneypenny, Thou's secretary.
  • Rowan Atkinson every bit Nigel Small-Fawcett, Foreign Part representative in the Bahamas.
  • Valerie Leon equally Lady in Bahama islands, whom Bond seduces.
  • Milow Kirek as Dr. Kovacs, a nuclear physicist working for SPECTRE.
  • Pat Roach as Lippe, a SPECTRE assassin who tries to kill Bond at the clinic.
  • Anthony Sharp as Lord Ambrose, Foreign Secretary who orders 1000 to reactivate the Double-0 section.
  • Prunella Gee as Nurse Patricia Fearing, a physiotherapist at the clinic.
  • Gavan O'Herlihy equally Captain Jack Petachi, a USAF pilot used by SPECTRE to steal the nuclear missiles, and Domino Petachi's blood brother.

Production [edit]

Never Say Never Once again had its origins in the early on 1960s, following the controversy over the 1961 Thunderball novel.[3] Fleming had worked with independent producer Kevin McClory and scriptwriter Jack Whittingham on a script for a potential Bond film, to be called Longitude 78 West,[4] which was afterward abased considering of the costs involved.[5] Fleming, "ever reluctant to let a skilful idea lie idle",[5] turned this into the novel Thunderball, for which he did not credit either McClory or Whittingham;[6] McClory then took Fleming to the High Court in London for alienation of copyright[7] and the matter was settled in 1963.[4] Afterwards Eon Productions started producing the Bond films, it later made a deal with McClory, who would produce Thunderball, and and then not make whatever further version of the novel for a period of ten years post-obit the release of the Eon-produced version in 1965.[8]

In the mid-1970s McClory again started working on a projection to bring a Thunderball accommodation to production and, with the working title Warhead, he brought writer Len Deighton together with Sean Connery to work on a script.[ix] A lawsuit with Eon Productions concluded in a ruling that McClory owned the sole rights to SPECTRE and Blofeld, forcing Eon to remove them from The Spy Who Loved Me (1977).[10] The script initially focused on SPECTRE shooting down airplanes over the Bermuda Triangle before taking over Liberty Island and Ellis Isle every bit staging areas for an invasion of New York City through the sewers nether Wall Street. The script was purchased by Paramount Pictures in 1978.[ten] The script ran into difficulties later on accusations from Danjaq and United Artists that the projection had gone across copyright restrictions, which bars McClory to a motion picture based but on the novel Thunderball, and once again the projection was deferred.[8]

Towards the end of the 1970s developments were reported on the projection under the name James Bond of the Secret Service,[8] but when producer Jack Schwartzman became involved in 1980 and cleared a number of the legal issues that yet surrounded the project[x] [iii] he decided against using Deighton's script. The project returned to the original nuclear terrorism plot of the original Thunderball in lodge to avoid some other lawsuit from Danjaq and later on McClory saw Jimmy Carter mention the issue in a 1980 presidential debate with Ronald Reagan.[11] Schwartzman brought on lath scriptwriter Lorenzo Semple, Jr.[12] to work on the screenplay, who Schwartzman wanted to make the screenplay "somewhere in the middle" between his campier projects such as Batman and his more than serious projects such equally Three Days of the Condor.[10] Connery was unhappy with some aspects of the work and asked Tom Mankiewicz, who had rewritten Diamonds Are Forever, to work on the script; however, Mankiewicz declined as he felt he was nether a moral obligation to Eon's Albert R. Broccoli.[13] Semple Jr. ultimately left the project after Irvin Kershner was hired as director and Schwartzman began cutting out the "large numbers" from his script to relieve on the upkeep.[x] Connery and so hired British boob tube writers Dick Clement and Ian La Frenais[11] to undertake re-writes, although they went uncredited for their efforts despite much of the final shooting script being theirs. This was considering of a restriction past the Writers Club of America.[14] Clement and La Frenais continued rewriting during the production, often altering information technology from solar day to twenty-four hours.[10]

The film underwent i final change in title: afterward Connery had finished filming Diamonds Are Forever he had pledged that he would "never" play Bail again.[9] Connery's wife, Micheline, suggested the title Never Say Never Again, referring to her husband's vow[fifteen] and the producers acknowledged her contribution by listing on the end credits "Title Never Say Never Over again by Micheline Connery". A terminal attempt by Fleming's trustees to block the film was made in the High Courtroom in London in the spring of 1983, merely this was thrown out by the court and Never Say Never Again was permitted to proceed.[sixteen]

Cast and crew [edit]

When producer Kevin McClory had first planned the film in 1964, he held initial talks with Richard Burton for the part of Bond,[17] although the project came to zip because of the legal bug involved. When the Warhead projection was launched in the late 1970s, a number of actors were mentioned in the trade printing, including Orson Welles for the part of Blofeld, Trevor Howard to play M and Richard Attenborough as managing director.[ix]

In 1978, the working title James Bond of the Hugger-mugger Service was being used and Connery was in the frame over again, potentially going head-to-head with the adjacent Eon Bond film, Moonraker.[18] By 1980, with legal problems again causing the project to founder,[19] Connery idea himself unlikely to play the part, equally he stated in an interview in the Sun Express: "When I first worked on the script with Len I had no thought of actually being in the film."[20] When producer Jack Schwartzman became involved, he asked Connery to play Bond; Connery agreed, negotiating a fee of $3 million ($8 meg in 2020 dollars[21]), casting and script approval, and a percentage of the profits.[22] Subsequent to Connery reprising the role, Semple altered the script to include several references to Bail's advancing years – playing on Connery existence 52 at the fourth dimension of filming[22] – and academic Jeremy Black has pointed out that in that location are other aspects of historic period and disillusionment in the picture, such equally the Shrubland's porter referring to Bond'southward automobile ("They don't make them similar that anymore"), the new M having no use for the 00 section and Q with his reduced budgets.[23] Originally Semple wanted to emphasize Bond'south age even further, writing the script to include him in semi-retirement working aboard a Scottish angling trawler hunting Soviet Navy submarines in the Northward Sea.[ten] Connery's casting was formally announced in March 1983. He trained with Steven Seagal to help arrive shape for the production.[10]

For the primary villain in the film, Maximillian Largo, Connery suggested Klaus Maria Brandauer, the lead of the 1981 Academy Award-winning Hungarian film Mephisto.[24] Through the same road came Max von Sydow every bit Ernst Stavro Blofeld,[25] although he still retained his Eon-originated white true cat in the film.[26] For the femme fatale, director Irvin Kershner selected erstwhile model and Playboy cover girl Barbara Carrera to play Fatima Chroma – the proper name coming from i of the early scripts of Thunderball.[xiv] Carrera said she modeled her operation on the Hindu goddess Kali, and to "mix that in with a niggling bit of black widow and a little bit of praying mantis."[10] Carrera's performance as Fatima Chroma earned her a Aureate World Award nomination for Best Supporting Actress,[27] which she lost to Cher for her office in Silkwood.[28] Micheline Connery, Sean'southward married woman, had met upward-and-coming extra Kim Basinger at the Grosvenor House Hotel in London and suggested her to Connery, and he agreed after Dalila Di Lazzaro refused the Domino role. For the role of Felix Leiter, Connery spoke with Bernie Casey, maxim that as the Leiter role was never remembered past audiences, using a black Leiter might brand him more than memorable.[24] Others cast included comedian Rowan Atkinson, who would subsequently parody Bond in his office of Johnny English in 2003.[29] Atkinson's character was added by Clement and La Frenais subsequently the production had already started in gild to provide the flick with a comic relief.[ten] Edward Fob was cast as M in lodge to portray the character as a young technocrat in dissimilarity to the older portrayal by Bernard Lee, and to parody the Thatcher ministry's budget cuts to government services.[ten]

Connery wanted to convince Richard Donner to straight the picture show, but after meeting Donner decided he disliked the script.[10] Erstwhile Eon Productions' editor and director of On Her Majesty'due south Secret Service, Peter R. Hunt, was approached to direct the film but declined due to his previous work with Eon.[xxx] Irvin Kershner, who had previously worked with Connery on A Fine Madness (1966), and had achieved success in 1980 with The Empire Strikes Back was and so hired. A number of the crew from the 1981 motion-picture show Raiders of the Lost Ark were also appointed, including first banana manager David Tomblin, director of photography Douglas Slocombe, second unit of measurement director Mickey Moore and production designers Philip Harrison and Stephen Grimes.[24] [31]

Filming [edit]

A large, sleek ship is moored at a quayside

The Kingdom 5KR which acted as Largo'southward send, the Flying Saucer

Filming for Never Say Never Once more began on 27 September 1982 on the French Riviera for two months[14] before moving to Nassau, the Bahamas in mid-Nov[12] where filming took place at Clifton Pier, which was also i of the locations used in Thunderball.[32] Largo's Palmyran fortress was actually celebrated Fort Carré in Antibes.[33] Largo's ship, the Flying Saucer, was portrayed by the yacht Kingdom 5KR, then owned by Saudi billionaire Adnan Khashoggi and chosen the Nabila.[34] The underwater scenes were filmed by Ricou Browning, who had coordinated the underwater scenes in the original Thunderball.[10] Principal photography finished at Elstree Studios where interior shots were filmed.[32] Elstree also housed the Tears of Allah underwater cavern, which took 3 months to construct, while the Shrublands wellness spa was filmed at Luton Hoo.[32] [x] Nigh of the filming was completed in the spring of 1983, although there was some additional shooting during the summer of 1983.[12]

Product on the film was troubled,[35] with Connery taking on many of the production duties with assistant director David Tomblin.[32] Managing director Irvin Kershner was critical of producer Jack Schwartzman, saying that, while he was a good businessman, "he didn't take the feel of a flick producer".[32] After the production ran out of money, Schwartzman had to fund further product out of his own pocket and later admitted he had underestimated the amount the film would cost to make.[35] There was tension on set up between Schwartzman and Connery, who at times barely spoke to each other. Connery was unimpressed with the perceived lack of professionalism behind the scenes and was on record as maxim that the whole production was a "encarmine Mickey Mouse operation!"[36]

Steven Seagal, who was a martial arts instructor for this motion picture, bankrupt Connery'south wrist while preparation. On an episode of The Tonight Testify with Jay Leno, Connery revealed he did non know his wrist was broken until over a decade later.[37]

Music [edit]

James Horner was both Kershner'southward and Schwartzman's start choice to compose the score after existence impressed with his work on Star Expedition II: The Wrath of Khan. Horner, who worked in London for about of the time, wound up unavailable co-ordinate to Kershner, though Schwartzman afterward claimed Sean Connery vetoed the American. Frequent Bond composer John Barry was invited, but declined out of loyalty to Eon.[38] The music for Never Say Never Again was written by Michel Legrand, who composed a score similar to his work as a jazz pianist.[39] The score has been criticised as "anachronistic and misjudged",[32] "bizarrely intermittent"[31] and "the most disappointing feature of the flick".[24] Legrand too wrote the chief theme "Never Say Never Once more", which featured lyrics by Alan and Marilyn Bergman — who had too worked with Legrand on the University Award-winning song "The Windmills of Your Listen"[40] — and was performed by Lani Hall[24] subsequently Bonnie Tyler, who disliked the song, had reluctantly declined.[41]

Phyllis Hyman also recorded a potential theme song, written by Stephen Forsyth and Jim Ryan, but the song — an unsolicited submission — was passed over, given Legrand's contractual obligations with the music.[42]

Legal substitutions [edit]

The outlines of row upon row of "007 007 007 007 007" fill the screen. A view of countryside, heavily obstructed can be seen in through the gaps.

Many of the elements of the Eon-produced Bond films were not present in Never Say Never Again for legal reasons. These included the gun barrel sequence, where a screen full of 007 symbols appeared instead, and similarly at that place was no "James Bond Theme" to use, although no effort was made to supply another melody.[12] A pre-credits sequence was filmed but not used;[43] instead the moving-picture show opens with the credits run over the top of the opening sequence of Bail on a grooming mission.[32]

Release and reception [edit]

Never Say Never Once more opened on 7 October 1983 in 1,550 theatres grossing an October record $ten,958,157 over the four-day Columbus Twenty-four hours weekend[2] which was reported to be "the best opening record of whatsoever James Bail film" up to that bespeak[44] surpassing Octopussy 'southward $viii.ix one thousand thousand from June that yr. The film had its UK premiere at the Warner West Stop picture palace in Leicester Square on 14 December 1983.[32] Worldwide, Never Say Never Once more grossed $160 1000000,[45] which was a solid return on the budget of $36 one thousand thousand.[45] The picture show ultimately earned less than Octopussy which grossed $187.five one thousand thousand.[46] [47] It was the first James Bail moving picture to be officially released in the Soviet Union, premiering in the summertime of 1990 with a gala in Moscow.[48]

Warner Bros. released Never Say Never Once again on VHS and Betamax in 1984,[49] and on laserdisc in 1995.[50] After Metro-Goldwyn-Mayer purchased the distribution rights in 1997 (see Legacy, below), the visitor has released the film on both VHS and DVD in 2001,[51] and on Blu-ray in 2009.[52]

Gimmicky reviews [edit]

Never Say Never Again was broadly welcomed and praised by the critics: Ian Christie, writing in the Daily Express, said that Never Say Never Again was "one of the better Bonds",[53] finding the film "superbly witty and entertaining, ... the dialogue is crisp and the fight scenes imaginative".[53] Christie also idea that "Connery has lost none of his charm and, if annihilation, is more appealing than always as the fashionable resolute hero".[53] David Robinson, writing in The Times also concentrated on Connery, saying that: "Connery ... is back, looking inappreciably a twenty-four hours older or thicker, and nonetheless outclassing every other exponent of the function, in the goodnatured throwaway with which he parries all the sex and violence on the way".[54] For Robinson, the presence of Connery and Klaus Maria Brandauer every bit Maximillian Largo "very virtually get in all worthwhile."[54] The reviewer for Time Out summed upwardly Never Say Never Again saying "The action's good, the photography excellent, the sets decent; but the existent clincher is the fact that Bail is again played by a human being with the right stuff."[55]

Derek Malcolm in The Guardian showed himself to be a fan of Connery's Bond, saying the film contains "the best Bail in the business",[56] but notwithstanding did not find Never Say Never Again any more enjoyable than the recently released Octopussy (starring Roger Moore), or "that either of them came very near to matching Dr. No or From Russia with Honey".[56] Malcolm's chief result with the motion-picture show was that he had a "feeling that a constant struggle was going on between a desire to make a huge box-office success and the attempt to make character every bit important as stunts".[56] Malcolm summed up that "the mix remains obstinately the same – up to scratch merely not surpassing it".[56] Writing in The Observer, Philip French noted that "this curiously muted moving-picture show ends up making no contribution of its ain and inviting damaging comparisons with the original, hyper-confident Thunderball".[57] French ended that "like an hr-drinking glass full of damp sand, the movie moves with increasing slowness equally it approaches a confused climax in the Western farsi Gulf".[57]

Writing for Newsweek, critic Jack Kroll thought the early part of the flick was handled "with wit and style",[58] although he went on to say that the managing director was "hamstrung past Lorenzo Semple'southward script".[58] Richard Schickel, writing in Time magazine praised the motion picture and its cast. He wrote that Klaus Maria Brandauer's character was "played with silky, neurotic charm",[59] while Barbara Carrera, playing Fatima Chroma, "deftly parodies all the fatal femmes who have slithered through Bond's career".[59] Schickel's highest praise was saved for the return of Connery, observing "it is good to see Connery'south grave stylishness in this role again. Information technology makes Bail's cynicism and opportunism seem the product of genuine worldliness (and earth weariness) as opposed to Roger Moore's mere twirpishness."[59]

Janet Maslin, writing in The New York Times, was broadly praising of the picture, maxim she thought that Never Say Never Again "has noticeably more humor and grapheme than the Bond films ordinarily provide. It has a marvelous villain in Largo."[60] Maslin as well thought highly of Connery in the office, observing that "in Never Say Never Again, the formula is broadened to conform an older, seasoned man of much greater stature, and Mr. Connery expertly fills the neb."[60] Writing in The Washington Mail service, Gary Arnold was fulsome in his praise, proverb that Never Say Never Again is "i of the all-time James Bond hazard thrillers always made",[61] going on to say that "this pic is likely to remain a cherished, savory example of commercial filmmaking at its almost astute and accomplished."[61] Arnold went farther, proverb that "Never Say Never Again is the all-time acted Bond picture ever made, because it clearly surpasses any predecessors in the area of inventive and clever character delineation".[61]

The critic for The Earth and Mail service, Jay Scott, besides praised the film, maxim that Never Say Never Again "may be the only instalment of the long-running series that has been helmed by a first-charge per unit director."[62] According to Scott, the managing director, with high-quality support cast, resulted in the "classiest of all the Bonds".[62] Roger Ebert gave the film 3½ out of 4 stars, and wrote that Never Say Never Again, while consisting of a basic "Bond plot", was different from other Bond films: "For 1 thing, in that location's more of a human chemical element in the pic, and information technology comes from Klaus Maria Brandauer, as Largo."[63] Ebert went on to add together, "there was never a Beatles reunion ... but here, past God, is Sean Connery equally Sir James Bond. Good work, 007."[63] Gene Siskel of The Chicago Tribune also gave the film 3½ out of 4 stars, writing that the film was "one of the all-time 007 adventures ever made".[64]

Colin Greenland reviewed Never Say Never Again for Imagine magazine, and stated that "Never Say Never Once again is a complacent male sexist fantasy, where women can be only femmes fatales or passive victims."[65]

Retrospective reviews [edit]

Because Never Say Never Again is not an Eon-produced film, it has not been included in a number of subsequent reviews. Norman Wilner of MSN said that 1967's Casino Royale and Never Say Never Again "exist outside the 'official' continuity, [and] are excluded from this listing, just as they're absent from MGM'south megabox. Merely take my word for it; they're both pretty atrocious".[66] Retrospective reviews of the film remain positive. Rotten Tomatoes sampled 53 critics and judged 70% of the reviews every bit positive, with an boilerplate rating of v.sixty/10. The site's critical consensus reads: "While the rehashed story feels rather uninspired and unnecessary, the return of both Sean Connery and a more understated Bond brand Never Say Never Again a watchable retread."[67] The score is still more than positive than some of the Eon films, with Rotten Tomatoes ranking Never Say Never Again 16th among all Bond films in 2008.[68] On Metacritic, the film has a weighted average score of 68 out of 100 based on 15 critics, indicating generally favourable reviews.[69] Empire gives the picture show three of a possible five stars, observing that "Connery was perhaps wise to telephone call it quits the kickoff fourth dimension circular".[seventy] IGN gave Never Say Never Again a score of 5 out of 10, claiming that the motion picture "is more miss than hit".[71] The review likewise idea that the picture show was "marred with likewise many clunky exposition scenes and non enough moments of Bail existence Bond".[71]

In 1995 Michael Sauter of Amusement Weekly rated Never Say Never Again as the ninth best Bond film to that point, after 17 films had been released. Sauter thought the motion-picture show "is successful only as a portrait of an over-the-hill superhero." He admitted that "fifty-fifty by his prime, Connery proves that nobody does it better".[72] James Berardinelli, in his review of Never Say Never Over again, thinks the re-writing of the Thunderball story has led to a pic which has "a hokey, jokey experience, [it] is possibly the worst-written Bail script of all".[73] Berardinelli concludes that "it's a major disappointment that, having lured back the original 007, the film makers couldn't offer him something improve than this fatigued-out, hackneyed story."[73] Critic Danny Peary wrote that "it was slap-up to encounter Sean Connery render every bit James Bail subsequently a dozen years".[74] He also thought the supporting cast was good, saying that Klaus Maria Brandauer's Largo was "neurotic, vulnerable ... ane of the most complex of Bond'south foes"[74] and that Barbara Carrera and Kim Basinger "make lasting impressions."[74] Peary also wrote that the "film is exotic, well acted, and stylishly directed ... It would be i of the best Bond films if the finale weren't disappointing. When volition filmmakers realize that underwater fight scenes don't work considering viewers usually can't tell the hero and villain apart and they know doubles are being used?"[74]

Legacy [edit]

Originally Never Say Never Again was intended to start a series of Bond films produced by Schwartzman and starring Connery as James Bond, with McClory announcing the adjacent planned movie S.P.Eastward.C.T.R.E in a February 1984 result of Screen International.[75] When Connery announced that he would non reprise his role as Bond in some other film produced by Schwartzman iii weeks before the deadline to buy the rights to some other motion-picture show for $5 million, Schwartzman said that he was unlikely to make another picture show without a bargain from MGM/UA and Danjaq.[48] [76]

In the 1990s, McClory announced plans to make another adaptation of the Thunderball story starring Timothy Dalton entitled Warhead 2000 AD, simply the moving-picture show was eventually scrapped.[77] In 1997 Sony Pictures caused McClory's rights for an undisclosed amount,[4] and later on appear that it intended to make a serial of Bond films, equally the company besides held the rights to Casino Royale.[78] This move prompted a round of litigation from MGM, which was settled out-of-court, forcing Sony to give up all claims on Bail; McClory however claimed he would proceed with some other Bail motion-picture show,[79] and continued his case against MGM and Danjaq;[eighty] On 27 August 2001 the court rejected McClory's suit.[81] McClory died in 2006;[77] MGM'due south acquisition of the rights to Casino Royale finally allowed Eon Productions to make a serious, not-satirical film adaptation of that novel the aforementioned yr with Daniel Craig as James Bond. Ultimately, McClory'south heirs sold the Thunderball rights to Eon, allowing the company to reintroduce Blofeld to the Eon serial in the motion picture Spectre.

On 4 December 1997, MGM appear that the visitor had purchased the rights to Never Say Never Again from Schwartzman's company Taliafilm.[82] [83] The company has since handled the release of both the DVD and Blu-ray editions of the picture.[84] [52]

See also [edit]

  • Outline of James Bond

References [edit]

  1. ^ "Never Say Never Again (1983)". BBFC . Retrieved 13 June 2021.
  2. ^ a b "Never Say Never Again". Box Office Mojo . Retrieved 20 September 2019.
  3. ^ a b Pfeiffer & Worrall 1998, p. 213.
  4. ^ a b c Poliakoff, Keith (2000). "License to Copyright – The Ongoing Dispute Over the Ownership of James Bail" (PDF). Cardozo Arts & Entertainment Law Journal. Benjamin N. Cardozo School of Police force. 18: 387–436. Archived from the original (PDF) on 31 March 2012. Retrieved 3 September 2011.
  5. ^ a b Chancellor 2005, p. 226.
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Bibliography [edit]

  • Barnes, Alan; Hearn, Marcus (2001). Osculation Buss Bang! Bang!: the Unofficial James Bond Film Companion. Batsford Books. ISBN978-0-7134-8182-ii.
  • Benson, Raymond (1988). The James Bond Bedside Companion. London: Boxtree Ltd. ISBN1-85283-234-vii.
  • Black, Jeremy (2004). Britain Since the Seventies: Politics and Society in the Consumer Age. Guilford: Biddles Ltd. ISBN978-one-86189-201-0.
  • Black, Jeremy (2005). The Politics of James Bond: from Fleming's Novel to the Big Screen . University of Nebraska Press. ISBN978-0-8032-6240-9.
  • Burlingame, Jon (2012). The Music of James Bond. Oxford: Oxford University Press. ISBN978-0-19-986330-3.
  • Chancellor, Henry (2005). James Bond: The Man and His World. London: John Murray. ISBN978-0-7195-6815-2.
  • Chapman, James (2009). Licence to Thrill: A Cultural History of the James Bail Films. New York: I.B. Tauris. ISBN978-1-84511-515-nine.
  • Lindner, Christoph (2003). The James Bond Phenomenon: a Disquisitional Reader. Manchester Academy Press. ISBN978-0-7190-6541-five.
  • Macintyre, Ben (2008). For Yours Eyes Only. London: Bloomsbury Publishing. ISBN978-0-7475-9527-4.
  • Mankiewicz, Tom; Crane, Robert (2012). My Life equally a Mankiewicz. Lexington, KY: Academy Press of Kentucky. ISBN978-0-8131-3605-9.
  • Peary, Danny (1986). Guide for the Film Fanatic. Simon & Schuster. ISBN978-0-671-61081-iv.
  • Pfeiffer, Lee; Worrall, Dave (1998). The Essential Bond. London: Boxtree Ltd. ISBN978-0-7522-2477-0.
  • Pratt, Douglas (2005). Doug Pratt'south DVD: Movies, Television receiver, Music, Art, Developed, and More!. London: UNET 2 Corporation. ISBN978-i-932916-01-0.
  • Reeves, Tony (2001). The Worldwide Guide to Movie Locations . Chicago: A Cappella. ISBN978-1-55652-432-v.
  • Smith, Jim (2002). Bond Films . London: Virgin Books. ISBN978-0-7535-0709-4.

External links [edit]

  • Never Say Never Once again at IMDb
  • Never Say Never Again at AllMovie
  • Never Say Never Again at Rotten Tomatoes
  • Never Say Never Over again at Box Office Mojo
  • Never Say Never Once more at Metro-Goldwyn-Mayer

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